Portraits tailored specifically for the end use in mind online or in print from Linked In, corporate websites, and annual reports to editorial features.
Shoot last year for Contained Solutions. A lovely company specialising in bespoke garden rooms.
ACC Aviation recently launched an excellent new website. I was fortunate to be asked to take the corporate portraits of their staff which feature on the new website. Taken over 3 days at ACC Aviation’s new HQ the results are lively and fun and reflect well the very friendly staff.
The brief was to capture a spontaneous and natural shot of each member of staff member including the senior management. Simple lighting and dark background.
After an initial scout of the offices. It was decided we would shoot in the always dependable meeting room. I went about the photography by using a single strobe light with a fast recycle time and short duration. This meant that I could keep taking shots while the conversation flowed, capturing the lively and naturally engaged moments. The light itself was modified using a 6 ft Octa soft box with grid. I chose to use the grid because the space was tight. Using the grid avoided light spill onto the background and other surfaces close by, this often results in unintentional fill of the shadows and a flat looking subject. These particular shots were helped with great banter from Marketing Manager Emily Nesbitt.
ACC Aviation specialises in aircraft leasing, charter and the supply and refurbishment of aircraft seating. The Headquarters are based in Reigate just outside London.
2014 has been a wirlwind year. My duaghter Eleanor was born in May and she is a beautiful joy to spend time with. Between power naps and nappy changes the last year has proven especially busy with lots of travel both abroad and in the UK. Photoshoot trips to regions of the UK I would not otherwise have visited and journeys further afield to Barcelona. I have been privileged to meet some amazing healthcare staff and see them at work. It’s been a pleasure to continue to collaborate with my long standing clients, producing creative work for annual reports, websites, marketing and advertising. I am looking forward to producing and developing more creative output in 2015.
I have also upgraded and added new equipment to my kit. The Nikon D810 and D800 currently the only DSLR 35mm cameras capable of producing 36 megapixel files, the largest digital image files available from a camera in this class. In conjunction with this I have upgraded my computer and storage in order to maintain an efficient workflow that can handle the larger files sizes produced by the D800 cameras.
Below is a small sample of photography completed during 2014.
With the abundance of portrait images on the net, from selfies to super corporate LinkedIn profiles, images for social media need to stand out from the crowd and project the professionalism and confidence you have. Often a linkedIn profile is the first impression you make or it will reinforce your personality after that first contact. It is surprising how many professionals on linkedIn still use holiday or family photos as their profile image. While this is fine for Facebook. The images tend to all look the same. By this I mean that the lighting, the colour and ambiance are all very similar and are usually quite flat, lacking contrast, or with unnatural colour tones. These type of images can present you as down to earth and approachable, but do not suggest that you follow through with the same attention to detail that perhaps you have given to your CV or profile.
This is where a professional photographer’s portrait can really make a difference. By creating a flattering, approachable and confident headshot, that presents you uniquely the way you want and with attention to your target audience, it will stand above the abundance of selfies or friends snaps.
Whether you choose a pro photographer or not, when it comes to taking your profile portrait there are few guidelines you can follow to improve how well the final results works. From your clothing choices, grooming and the food and drink you choose to eat beforehand.
When I undertake this type of assignment, whether for an individual or a group session, I will use lighting which is complimentary to each subject, and select a background appropriate to the intended use. I will also ask the subjects to follow a few simple guidelines:
During the shoot its advisable to apply the same body language and postures you would adopt when meeting colleagues or clients.
If you are going to upload images yourself to LinkedIn below are thee current guidelines for images.
Example LinkedIn Portraits
Looking back over 2013. Lots of ground has been covered this last year both professionally and personally. With travel to Poland to photograph the Doosan Way and with my own relocation from Cambridge to Reigate, Surrey. As always corporate and healthcare has been a primary focus for my work. I had the pleasure of working with the Royal Brompton & Harefield NHS Foundation Trust Hospital taking photographs for their Annual Review and a visit to the Brompton Hospital by the Secretary of State for Health Jeremy Hunt. I have begun to focus more on portraiture and in particular environmental portraiture, working with the Financial Times on a Business Life feature and the Netherlands largest medical school Erasmus MC.
Simple corporate headshot diagram. The is a typical lighting set up I use when space is limited and I need to travel with minimal equipment. The back light usually a lastolite umbrella softbox allows for the choice of either a rim highlight with lighting on the background as well or just a rim light if the umbrella is swivelled 180 degrees and feathered away from the subject and background.
Looking back over some of the wonderful highlights from 2012, the many varied people and locations all of which made the year a fun and creative experience.